«ΤHΝ ΚΑΤΑ ΣΑΥΤΟΝ ΕΛΑ»: CHOOSING THE RIGHT WIFE IN GREEK TRAGEDY

Abstract

The article aims to examine the presence of the theme of not marrying above one’s station in Greek tragedy. This theme will be investigated in some plays written
between the 5th and the 4th century BCE, such as Prometheus Bound, some extant and fragmentary plays of Euripides and the Rhesus attributed to Euripides.
Particular attention will be given to the context where the theme is found, the various functions it has in each tragedy and its implications for dramaturgy and audience reception. The article will show how tragic poets skilfully used the theme in question to serve different purposes and reflect on real-life issues, as is often the case in theatrical performances.